The CL 10,000c is the most powerful, yet compact, corded on-location light available. The continuous light provides ‘HMI’ type high output with robust reliable performance and is perfect for on location ‘Live Shots’ in direct sun; though many users set it up in-studio with its compact mobility. Professional durability and water resistant design allows light to be utilized in the harshest of outdoor environments. Like all of Light & Motion’s Continuous Light Series, the smooth 120-degree beam can be easily shaped and modified to provide a light that renders colors beautifully with consistent, reliable, regulated output. With a wide range of mounting options and lighting modifiers, you can do things not possible with conventional lights.
Multiple power options: easily powered by AC or DC source including DTap Gold-mount/V-Lock battery with optional DTap cable (13-25V)
120° Native Beam Angle: Light output can be easily focused to 50° and 25° and diffused via press-on modifiers; includes Profoto adapter ring and the mount features an integrated umbrella holder
High Output COB “”Chip on Board”” LED: Eliminates the multi-shadow effect that can be a problem with panel-style light sources while also keeping the continuous light’s footprint small
Continuous dimming with control ring easily controls light output; OLED Digital Display provides precise lumen value
Integrated variable speed fan with low decibel levels automatically turns on when light output exceeds 5600 lumens to prevent overheating the LED
Sophisticated flicker-free firmware design tested with the latest cinema grade cameras
Rugged Weatherproof Construction: Designed to perform in the most challenging environments, the CL 10000c can handle inclement weather (IP54 Rating) and is tested to resist 1 meter impacts on concrete
What's in the Box?
Umbrella Holder YS Mount Base
Replacement YS mount base integrates an umbrella holder to add versatility to powerful CL lights.
Secure continuous lights on a C-Stand (5/8") with this mount that includes thumbscrew for baby pin attachment.
Profoto Adaptor (Pro CL & CLx Models)
Adapter ring clasps to light's bezel to attach Profoto OCF speed rings and compatible OCF modifiers.
High Leverage Handle
Handle attaches to the YS mount base of CL Lights allowing smooth and precise control when pivoting light.
Power Supply 24V 140W (US/JP)
Replacement PSE certified power supply that includes both charger and US dongle for the Stella Pro 10000c.
Light & Motion CL lights are natively a "hard" light which produces a pure light that delivers a single shadow and supports dramatic journalistic and Film Noir lighting styles. The hard light is also perfect when shooting on location in bright sunlight as it mimics the sun and can provide an even fill for "live shots" or portraits.
There are many options to create a soft or softer light using Stella lights:
The portable Dome Diffusion accessory creates a wide diffuse light - perfect for portraits.
The GloBulb can be used to create a soft light for portraits or interviews.
To create a large soft source, CL lights can be shot into a medium to large shoot-through umbrellas or into a parabolic umbrella with a sock. To do this you will need to add an Umbrella Holder Mount Kit. All of our lights can be used with an umbrella with the Umbrella Holder Mount Kit.
Additionally, CL lights can be paired with a number of 3rd-party light shaping tools: DoP Choice Snap Bags (no speedring required), and Profoto Softboxes/Octas and Elinchrom by adding our Profoto Adapter Ring.
Lastly, COB lighting can be used shot through a diffusion panel, bounced off of a wall or modified with available materials - experiment and be creative with Light & Motion lights as so many options are available when starting with a pure hard light.
Perfect timing to capture the ideal moment defines my world. In the ‘run and gun’ realm of news gathering there are no second chances. There are no routine days in news - demands are constantly changing and no two days are alike. News can occur in any location, at any time, in any weather and I need to be prepared.
I’m a documentary television producer and cinematographer. Since 2012, I’ve traveled to Antarctica every winter to shoot a popular American television show. Knowing that we’d be encountering some of the worst weather we’d ever faced, I decided to fundamentally alter our approach to production at sea by swapping our usual lighting gear for the most robust, waterproof, and effective fixtures we could find.
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